Category: Press Releases General

And two minutes later …

by davidhague178181403, posted in News: Camera Hardware, Press Releases General, Today

The SMOOTH 5S is the latest addition to ZHIYUN’s iconic SMOOTH range. As well as offering several upgraded features that make it more powerful, with superior image stabilization and support for larger smartphones, it features a new, high-performance fill-light built-in, plus two modular magnetic lights, providing an integrated yet simplified filmmaking experience for everyone.

Xin Wang, Product Manager, ZHIYUN, said: “Our creative tools enable content creators to realize their filmmaking goals and allow them to explore the furthest limits of their creativity. With its innovative features and its second fill light, the SMOOTH 5S elevates your smartphone into the perfect one-man day to night filmmaking tool. It’s perfect for content creators or anyone wishing to express themselves creatively.”

Illuminate any scene

The light, situated in the stabilizer’s tilt arm, offers a 5,000k color temperature, a 90+ CRI and 2W rated power. The new fill-light is in addition to its 300-lumen lights, with both illumination sources enabling 360° all round lighting for up to 15 square meters. This large fill area allows filmmakers to express their talent with varying shadows, contrast and brightness in any scene.

Unbreakable stabilization

The SMOOTH 5S offers superior anti-shake footage which preserves the original quality of the shoot. The magnetic steel motors with upgraded algorithms provide firm support for even larger sized smartphones, while the wider phone clamp supports external lens options.

Breadth of vision and full control

The position of the SMOOTH 5S’s rear motors and its professional cut-out design facilitate wider capture, and extreme-angle shooting, thus putting more creative options at a filmmaker’s fingertips. Filmmakers have full control thanks to ZHIYUN’s iconic, intuitive control panel and wheel allowing easy adjustment of gimbal parameters. Visible shooting modes combine with a round-cap joystick to get shot-ready with an effortless one-handed operation.

 

Up to 24 hours of uninterrupted shooting

Getting the SMOOTH 5S ready for a day out with 100% charge only takes 2 hours via PD fast charging, giving content creators a maximum of 24 hours of non-stop shooting.

 

Content that wows

The ZY Cami APP offers multiple templates, filters, music, transitions, and stickers, including:

  • Multiple quick switch shooting modes including PF, L, F, POV
  • Zoom and focus switch support as well as focal length adjustment via the control wheel – enabling entry level to film professional dolly zoom effect.
  • SMART FOLLOW – secures the spotlight for your subject. Remotely control the camera via gestures.
  • MagicClone Pano, Slow Motion, Timelapse features.

ZHIYUN’s StaCam professional app, dedicated to video filming has a simple yet multifunctional interface and intuitive operation. The app will brighten up your daily vlogs and can also make your videos more cinematic.

New Zhiyun Gimbal. The Smooth 5S

by davidhague178181403, posted in Action Cam Tutorials and Techniques, News: Camera Hardware, Press Releases General, Today

We only found out about this late this afternoon, and so far, with no official press release, details are basic but what we know is:

Description

Upgraded with a powerful built-in fill light and embodying the spirit of Make-It-Real, SMOOTH 5S offers an integrated yet simplified way of filmmaking for everyone. With the classic 3-axis design, you can create inspiring content with no angle limitations. SMOOTH 5S makes your one-man crew.

Key Features

● Orthogonal 3-Axis Structure-Unleash Full Creativity

● Explore more potential with the trustworthy stabilizing performance

● Versatile Movement Collection-Fantastic Vortex Mode

● Magnetic + Built-In Fill Lights-Light Up Your Imagination 

● Two Modes For Cinematic Dolly Zoom Effect

Prices vary from $349 to $449 depending on the combination you buy. We have discovered a website with more info here, and as soon as we get the official release, of course we’ll let you know!

But on the surface, this does look the beans for the serious smartphone videographer we have to say.

Update to Sennheiser MOMENTUM True Wireless 3

by davidhague178181403, posted in Audio, Press Releases General, Today

The new firmware update, available via the Smart Control App (iOS, Android) enables multipoint device connectivity and a high-resolution sound mode for convenience and quality.
​
​“Our latest update reflects the dynamic ways people want to use MOMENTUM True Wireless 3, including our most requested feature – multipoint. For example, one can switch from their favourite music streaming app to join an incoming conference call from their laptop – and back again – without having to reconnect manually,” says Frank Foppe, Sennheiser True Wireless Product Manager. “And our new high-resolution sound mode enhances the listening experience even further, letting customers enjoy wireless audio that rivals the rich and lively detail found in a wired connection.” 

The power of connection 
​Now, the premium MOMENTUM True Wireless 3 sound experience is available on multiple devices with a simple tap. The latest update allows users to instantly switch between two paired devices for dynamic management of active connections. Examples include streaming a podcast on a smartphone before switching over to an incoming video call, shifting from a television series on your tablet to a mobile voice call, and balancing voice calls between work and personal phones. Multipoint also switches back to the original audio source device if a call is answered mid-stream, and otherwise allows for effortless switching between two Bluetooth audio devices. Lastly, the multipoint update allows for seamless switching through all mutually supported codecs, such as aptX Adaptive, and SBC – even across mobile operating system platforms from various manufacturers.  
​
​Next level performance 
​Bringing listeners even closer to the details in their music, the MOMENTUM True Wireless 3 update also introduces a high-resolution sound mode featuring 24-bit depth and 96 kHz sample rate capability, unlocking sound quality comparable to a wired headphone. By connecting MOMENTUM True Wireless 3 to an audio source also using the aptX Adaptive codec, this mode increases the Bluetooth bitrate up to 420 kilobits per second for optimum sound. In RF-challenged environments such as bustling public transportation, the MOMENTUM True Wireless 3 may utilise the codec’s data scaling capabilities to seamlessly adapt the connection integrity at any given moment. Users can enable the high-resolution sound mode via Sennheiser’s Smart Control App, making MOMENTUM True Wireless 3 the ideal companion for all popular music streaming services and their highest quality subscription tiers.
​
​Availability 
​Multipoint and high-resolution mode are available after updating the MOMENTUM True Wireless 3 to the latest firmware (Release 2.10.19 or higher) and updating the Smart Control App (App Store, Google Play; release 4.1.5 or higher).  The release also contains numerous optimisations and enhancements for Bluetooth and touch control features.

More Information: DJI Mavic 3 Classic

by davidhague178181403, posted in Action, Press Releases General, Today

We got some more more info from DJI this afternoon. Here it is … (slightly edited)

DJI says the world’s best camera drone is now more accessible with the Mavic 3 Classic, giving creators a new way to experience the unparalleled Hasselblad camera and unbeatable flight performance of the Mavic 3 Series. Mavic 3 Classic features the same 4/3 CMOS 20-megapixel camera, 46-minute maximum flight time, and O3+ transmission system as the original Mavic 3 drone, without an additional telephoto lens. Mavic 3 Classic is compatible with existing DJI RC Pro, DJI RC, and DJI RC-N1 to put premium performance in a more affordable package, making it easy for drone creators to move up to the best flying camera on the market.

“The Mavic 3 series has always set the standard for what a drone can do, from the original Mavic 3 and Mavic 3 Cine that transformed aerial photography and cinematography, through the Mavic 3 Enterprise and Mavic 3 Thermal platforms for professional work,” said Ferdinand Wolf, Creative Director at DJI. “Now, DJI is moving forward to give more creators access to the photographic excellence and operational reliability that are the hallmarks of the Mavic 3 Series. With the launch of Mavic 3 Classic, we hope to see even more creators putting our top-of-the-line tools to work and pushing their creativity past their old limits.”

The Best Camera for Your Best Content

With the launch of Mavic 3 Classic, more creators will have full access to the wide possibilities afforded by the Mavic 3 4/3 CMOS Hasselblad camera. For video work, the camera captures up to 5.1K/50 fps, 4K/60 fps and 1080p/60fps using H.264 and H.265 encoders. In slow-motion applications, Mavic 3 Classic captures video at  4K/120fps and 1080p/200fps. Its 24mm equivalent focal length lens opens to an adjustable aperture spanning f/2.8 to f/11 for 12.8 stops of native dynamic range. When light hits the 20-megapixel sensor, it is processed in 12-bit RAW for photography and 10-bit D-Log for video, making the camera up to the challenge of accurately conveying the vivid colors, peak highlights, and detail-rich shadows of our world.

Because the Mavic 3 Classic camera is based on Hasselblad’s groundbreaking research and development, it is designed to capture true-to-life details matching what the human eye perceives. The Hasselblad Natural Colour Solution directly outputs photos and videos with genuine and accurate colors, and its HLG system for high dynamic range photography generates footage that does not require color tuning in post-production. Even in low-light scenarios such as sunrises and sunsets, a night shot video mode reduces visual noise to allow cleaner shots.

Intelligent in the Air and on Your Screen

Capturing the world’s images accurately is just the beginning of the creative process. Mavic 3 Classic is engineered to put the power of DJI’s flight technology at the service of every creator in a simple and easy-to-use interface that functions smoothly right out of the box, is customizable for the most precise control, and easily outputs images and videos for sharing, editing, and post-production.

Creators who have honed their skills on earlier versions of DJI’s drones will find themselves free to fly for up to 46 minutes with Mavic 3 Classic, which uses the same batteries as the rest of the Mavic 3 Series. The O3+ transmission system for flight control and video can display stellar 1080p/60fps video at a range of up to 15 kilometers (9.3 miles). Transmission distance is a proxy for signal strength, and Mavic 3 Classic should always be flown within the pilot’s line of sight.

From the first moments in the air, Mavic 3 Classic’s array of intelligent algorithms can begin tracking subjects, framing images and automatically moving the camera in cinematic flight patterns. The ActiveTrack 5.0 system uses multiple vision sensors to recognize subjects, lock them in frame, and move the drone and camera in concert to create professional-quality videos. With MasterShots, both shooting and editing functions are automated to make the creative process simple and effective even for new pilots still developing their personal visual language in the air.

Mavic 3 Classic features the automated QuickShots shooting modes that DJI pilots have come to love, as well as continued support for timelapse, hyperlapse, and panorama shooting styles. The new Cruise Control feature allows pilots to set a constant flight speed for their drone, allowing them to focus on the imagery while minimizing any camera shake from manual speed control.

Once Mavic 3 Classic is back on the ground, turning raw imagery into classic content is easier than ever. The High-Speed QuickTransfer option allows quick image and video downloads direct from the drone to a mobile phone over Wi-Fi 6 at speeds up to 80 MB per second without connecting to the remote controller.

DJI Care Refresh

DJI Care Refresh, the comprehensive protection plan for DJI products, is now available for DJI Mavic 3 Classic.  The replacement service covers accidental damage, including flyaway, collisions and water damage. For a small additional charge, you can have your damaged product replaced if an accident occurs.

DJI Care Refresh (1-Year Plan) includes up to two replacements in one year. DJI Care Refresh (2-Year Plan) includes up to three replacements in two years and extends the original warranty up to 2 years from the date of purchase. Other services of DJI Care Refresh include rewards for safe flight and free shipping.For a full list of details, please visit:  https://www.dji.com/service/djicare-refresh.

Price and Availability

The DJI Mavic 3 Classic is available for purchase today from store.dji.com and authorized retail partners in three purchase configurations:

  • Mavic 3 Classic (Drone Only) does not  include a remote controller or charger, and is ideal for owners of existing DJI drones who are ready to move up to the top-of-the line camera performance of Mavic 3. It is compatible with any existing DJI RC-N1, DJI RC or DJI RC Pro controller. It is available for the retail price of AUD2299.
  • Mavic 3 Classic includes a charger and the DJI RC-N1 remote controller. It is available for the retail price of AUD2399.
  • Mavic 3 Classic (DJI RC) includes a charger and the DJI RC remote controller. It is available for the retail price of AUD2599.
  • Mavic 3 Classic Fly More Kit(Shoulder Bag) includes two Intelligent Flight Batteries, a Battery Charging Hub (100W), a 65W Car Charger, a Shoulder Bag and propellers. It is available for the retail price of AUD799.

For more information on all the new features, accessories, and capabilities, please visit https://www.dji.com/mavic-3-classic

DJI Mavic 3 Classic for SkyPixel

DJI is excited to see the creative works that will result from the help of DJI Mavic 3 Classic. To bring this opportunity to the world, SkyPixel – the leading global community for aerial photographers and videographers – is also launching a campaign that will give users the chance to try and shoot with this new impressive drone. The SkyPixel Product Tryout Program will send DJI Mavic 3 Classic to select users who will be able to experience content creation with the device for a limited time, and be in the running to win their very own DJI Mavic 3 Classic. For more detailed information, please visit the official SkyPixel site: https://www.skypixel.com

Innovative Production Services fits and futureproofs new broadcast truck with the latest Ross Video products and solutions

by davidhague178181403, posted in Broadcast News, Press Releases General, Today

Innovative Production Services (Innovative) is a company that had always been primarily focused on live events. Over its 25-year history, Innovative has had experience in all aspects of live production including bands, theatre, TV, art, and performance, but large corporate events had become their mainstay heading into 2020 when the COVID-19 pandemic changed everything very rapidly. Large events were gone for a long time, so the company had to adapt and to help them do this, they turned to Ross Video.

Innovative director, Jeremy Koch, explained, “We setup a trial studio in our factory that quickly moved into a 750m2 professional sound stage. We loved this new studio world and our gear had to step up in certain areas to match the standards that not only our customers were used to at Innovative, but what our staff and contractors were used to. So, we purchased a Ross Carbonite Black SOLO (split system) for our studio, The HUB. This little powerhouse was amazing, especially for its size. This only led to more interest in Ross products. One of our leading contractors was always raving about Ross as well, so we knew we were on to a good thing.”

After a very successful 18 months in the studio world, a new opportunity presented itself to Innovative. This opportunity had the potential to be a real game-changing way of doing studio broadcast work and also live hybrid events. That opportunity was to purchase and fit out a broadcast truck. This was a dream opportunity for Innovative as it was something they had been pondering for years.

R3

Ross Ultrix Carbonite, Ultrix FR5 and other Ross solutions in use in Innovative’s new broadcast truck at the recent IBM Think and TEDx Sydney events.

Koch continued, “Whatever we chose needed to work with our current workflows and also allow for upgrades and changes as required. Flexibility is key and Ross gives us this. The other thing Ross gives us is innovation and this is really close to our heart, in fact it’s part of our name. We wanted gear that could easily talk to each other and have control systems and solutions that are all part of the one family.”

After careful evaluation and assessment, Innovative purchased a Ross Ultrix Carbonite, Ultrix FR5 and several other Ross products and solutions for their new truck.

Koch added, “We wanted something that would work for us now and into the future. This was probably the single biggest thing that led us to Ross and in particular the Ultrix Carbonite. The truck has a need to offer ultimate simplicity and compatibility, not only in the physical domain but also in the mental domain. We wanted it to be easy to understand, use and troubleshoot for our staff and contractors. Starting with 12G-SDI now means that everything works instantly for us and it’s a known signal format for all of our team. It offers immediate benefits especially when it comes to supporting 4K workflows. Also, with the Ultrix system, if and when we need to jump to ST-2110, we can by simply swapping out an IO blade – and that’s pretty cool.”

According to Koch the Ross products and solutions easily met all of their key requirements by offering the upgrade path they were looking for and more.

He said, “This is not just in the Ultrix either. The Ultritouch Panels all get updates to allow new functionality. The TouchDrive panel gets these too. It’s so good to see Ross actively developing and working on their products and pushing those updates to their customers. The other big thing for us is support and Ross Video Australia have given us great support from day one.”

The first two tests for Innovative’s new truck featuring the new Ross equipment were at major events for IBM Think and TEDx Sydney. At IBM the truck was in full live event mode where it was the technical hub of the entire show. All cameras came back to the truck as they would in a typical broadcast truck, but that’s where the similarities ended.

Koch explained, “We also ran all playback for the show such as videos, audio stings and presentations from the truck. All of the outputs for the live event were also fed from the truck. This includes projector SDI feeds for the main screens, foldback monitor feeds, side of stage monitor feeds and lighting monitor feeds. The main broadcast live stream of this event also ran from the truck. On this event, besides handling the main switch of all cameras and content for both the screens in the room and the live stream, Ross Ultritouch panels with Dashboard switched all the KVM stations. The two graphics positions relied heavily on these touchpanels and this was a great success.”

TEDxSydney was where the truck got to focus purely on a broadcast role. It was quite an involved broadcast event with many moving parts and dynamic personalities that made this one of the more demanding events Innovative work on every year.

Koch added, “This was also the first year we had handled the broadcast directly on our own. The reliability and flexibility of the Ross gear allowed us to do this with confidence and that is a big thing considering the direction we are heading in.”

Overall, both events were executed with great precision and great success. Establishing a reputation for quality and reliability is paramount for the success of Innovative’s new truck and Ross products and solutions had been at the heart and centre of these projects.

Koch said, “The one thing that has been critical to the success of these projects is the control of the KVM system. The Ross Ultritouch Panels with Dashboard have been a critical part of how this works and how successful it is. We use custom commands and scripts from Ross dashboard buttons on the Ultritouch panels to control what PC or Mac you are controlling in the truck. It really is fantastic to see this working so well and so integrated into the truck. You can also control the lighting in the room you are currently in from your Ultritouch panel.”

It’s clear that Koch is not just a fan of his new Ross equipment but of the Ross team in Australia too as he pointed out, “We like the ethos of the company. The fact that the service and commitment we get from Kyle Le Roux and the Ross team here in Australia is just so fantastic means we don’t need to look elsewhere. We also hadn’t got any kind of inkling of similar service from any other technology supplier, so partnering with Ross really has turned out to be a great decision.”

Koch points out repeatedly that the biggest “edge” that Ross gives Innovative is in the flexibility and adaptability within their systems. This alongside Ross Video Australia’s service and support has created a winning combination.

Jeremy Koch concluded, “Continued software development is adding new features and this also keeps us on the front foot. The other big thing is that Ross listens to its customers. We feel like we get heard when we ask for features or functionality. Ross like to know how their customers are using their products and what can be done to make experiences better. Again, Ross service and support has been excellent. We have some extensive experience with this already and some key staff, like Kyle, have really looked after us to get us to the point we are at now. It’s these experiences that reinforce our decision to choose Ross as one of our key partners for this amazing project and to be a part of our company’s inventory.”

FUJIFILM Australia Announces NEW Fujifilm X-T5

by davidhague178181403, posted in News: Camera Hardware, Press Releases General, Today

Fujifilm has announced the launch of the mirrorless digital camera “Fujifilm X-T5” (X-T5) in November 2022, the latest addition to the X Series of mirrorless digital cameras known for their compact and lightweight body and superior image quality based on the company’s proprietary colour reproduction technology.

X-T5 features fifth-generation devices, back-illuminated 40.2MP sensor “X-TransTM CMOS 5 HR”*1 and the high-speed image processing engine “X-Processor 5,” in its compact body which is smaller and lighter than the previous model*2, as well as advanced features including the 5-axis in-body image stabilisation of up to 7.0 stops*3. This is the new standard camera for still photography, delivering superior performance and mobility.

Performance enhancement achieved in the X-T5 include improved image quality, ISO125 as a standard sensitivity, the fastest shutter speed of 1/180,000 sec and the use of Pixel Shift Multi-Shot to expand photographic variations. Other features include the Smooth Skin Effect, Subject Detection AF capable of detecting animals, birds, cars, motorcycles, bicycles, planes, and trains, and AI-based high-precision auto white balance, assisting users in producing high quality images.

The camera inherits X-T Series’ signature center viewfinder style and dial operation design. A 1.84-million-dot three-way tilting LCD screen is a new addition, making it more comfortable than ever before to shoot in vertical position or at waist level. These extensive array of performance and features is packed into a 557g body*4, which is even lighter and more compact than the previous model. The X-T5 will be a perfect companion to cover a wide variety of photographic genres from street and documentary photography, in which its portability is a major asset, to landscape and portraiture photography, which demand superior image quality. Other features that add comfort to the user experience include the ability to record 10-bit 4:2:2 video at 6.2K/30P, the viewfinder magnification of 0.8x, 3.69-million-dot EVF and dual SD-card slots.

X-T5_backNANAMEleftUE_LCD45open_silver

Fujifilm’s twin flagship models “Fujifilm X-H2S” (released in July) and “Fujifilm X-H2” (released in September), which cover both stills and videos, are now complemented with the X-T5. Fujifilm’s enhanced product lineup will continue to cater to the diverse needs of photographers and videographers.

“The new X-T5 camera offers photographers that classic X-T Series design and love of using dials combined with the latest technology whilst also being compact and lightweight”, said Shaun Mah, General Manager of the Electronic Imaging & Optical Devices Division of FUJIFILM Australia. “This camera also qualifies for our 3 Year Warranty, giving photographers peace of mind whilst capturing that decisive moment,” added Mah.

*1 X-TransTM is a trademark or registered trademark of FUJIFILM Corporation.

*2 Mirrorless digital camera “FUJIFILM X-T4”

*3 When the FUJINON Lens XF35mmF1.4 R is mounted

*4 Including battery and memory card

  1. Fujifilm X-T5 Product Features
  2. Featuring the 40.2MP X-Trans™ CMOS 5 HR sensor and the high-speed X-Processor 5 image processing engine to deliver the highest image quality and resolving performance in the history of the X Series

(1) The X-T5 features the back-illuminated 40.2MP sensor “X-TransTM CMOS 5 HR.” The use of an improved image processing algorithm delivers advanced image resolution without compromising the S/N ratio to achieve superior image quality. The X-Trans™ CMOS 5 HR sensor can take in more light efficiently thanks to its improved pixel structure. ISO125, which was an extended ISO level in the previous model, is now available as a standard option. And exposure time is controlled in high precision, allowing users to set the shutter speed as fast as 1/180,000 sec. This means large aperture lenses can be used wide open in a greater variety of conditions.

(2) This camera features the Pixel Shift Multi-Shot function, which quadruples image resolution and produces accurate colour reproduction, ideal for commercial photography and digital archiving of cultural assets. The IBIS mechanism is used to shift the image sensor at high precision to carry out automatic shooting of 20 frames in a single click of the shutter. The dedicated software “Pixel Shift Combiner” processes the captured frames to generate an image containing approx. 160 million pixels.

(3) The Smooth Skin Effect, which automatically smooths the skin tone, is also featured, reducing post-processing workload required in portrait photography so that images can be finished at an advanced level of perfection much quicker than ever before.

(4) The X-T5 features Auto White Balance based on Deep Learning technology. AI technology has boosted the camera’s ability to automatically determine white balance, by accurately recognising warm light colour.

(5) The X-T5 comes with 19 Film Simulation modes, including “Nostalgic Neg.,” characterised by high saturation and soft tonality. Users can use Film Simulation presets, designed for various subject types and scenes, as if they were choosing photographic film.

(6) The X-T5 supports the HEIF image format, which delivers 10-bit image quality in files up to 30% smaller than standard JPEGs straight out of camera.

  1. Hardware, design and operability that provides powerful support for content creation

(1) The X-T5 features the 5-axis in-body image stabilisation of up to 7.0 stops. Users can shoot hand-held even in low light conditions such as nightscape photography. The IBIS mechanism is also used to shift the camera’s image sensor in high precision to facilitate the Pixel Shift Multi-Shot function.

(2) The subject detection AF, based on Deep Learning technology, can detect animals, birds, cars, motorcycles, airplanes and trains with AI technology. The system automatically tracks a subject while maintaining focus, so that users can concentrate on shutter opportunities and framing.

(3) The X-TransTM CMOS 5 HR sensor has a greater number of phase detection pixels than the previous model, resulting in an improved ability to attain AF-S focus on a high frequency subject, providing accurate autofocusing in situations where AF-S is typically used, such as landscape photography and portraiture. The use of an improved AF prediction algorithm offers stable focusing also in the AF-C mode.

(4) The X-T5 features three dials on the top panel for controlling ISO, shutter speed and exposure compensation. Users can check and change camera settings even before powering on, as with the case of the aperture ring, featured on most XF lenses.

(5) A new feature of the camera is the 1.84-million-dot three-way tilting LCD. It makes it easy to shoot in vertical position or at waist level, allowing photographers to shoot at various angles. 

(6) The camera is equipped with a high magnification 3.69-million-dot EVF with 0.8x magnification. Compared to the previous model, the viewfinder has improved suppression of parallax and distortion, which typically occurs when an eye position becomes displaced while using the viewfinder.

(7) Evolved IBIS mechanism and other parts, including EVF, has resulted in a compact body that weighs just 557g. Optimised operability of dials and buttons has led to a reduced form factor and coupled with the camera’s weather resistant structure allows photographers to use the X-T5 in any conditions with peace of mind.

  1. Featuring extended video functions

(1) 6.2K movies can be recorded internally at 30P in 4:2:2 10-bit colour. X-T5 features the 4K HQ mode, which uses 6.2K over-sampling to produce high quality video, while taking advantage of the high resolution sensor to deliver video in superior image resolution.

(2) X-T5 supports F-Log2, which records an expanded dynamic range of 13+ stops. This range is wider than current F-Log, broadening post-production potential.

(3) When combined with an Atomos HDMI device, the RAW video output from the X-T5 can be recorded as 12-bit Apple ProRes RAW*5 at frame sizes up to 6.2K and frame rates up to 29.97fps. And when combined with Blackmagic Design Video Assist 12Gs, the RAW video output from the camera can be recorded as Blackmagic RAW at frame sizes up to 6.2K and frame rates up to 29.97fps.

*5 Apple ProRes is a trademark of Apple Inc., registered in the United States and other countries.

  1. Optional accessories

Hand grip “MHG-XT5” (designed for the X-T5)

This grip substantially improves users’ ability to hand-hold the camera when a large-aperture lens is mounted. The hand grip does not have to be removed to change a battery or SD card. The base can be used as a plate compatible with the Arca-Swiss quick release system.

 

  1. Product name, release date and price

 

Product name

Release date

RRP (including GST)

Fujifilm X-T5

November, 2022

$3,199

Fujifilm X-T5 and XF18-55mmF2.8-4 R LM OIS kit

$3,949

Fujifilm X-T5 and XF16-80mmF4 R OIS WR kit

$4,099

Announced: Canon EOS R6 MK II

by davidhague178181403, posted in News, News: Camera Hardware, Press Releases General, Today

 Never compromise your creativity: Join the evolution into high performance photo and video

The fastest EOS R System camera yet

Canon Australia today announces the launch of the EOS R6 Mark II, its fastest advanced full-frame mirrorless camera to date, expanding the pioneering EOS R System – offering 40fps, stunning low-light AF, 4K UHD movies and 6K RAW external device recording, all built on the RF Mount. As the newest model in the range for hybrid creators, the EOS R6 Mark II utilises the powerful foundations of the RF Mount and redefines standards set by the EOS R6. For both stills and movies, it raises the bar with its unique blend of class-leading performance, breath-taking speed, stability and professional filmmaking features.

Sharp images and smart tracking

Using the same DIGIC X processor technology – which was at the core of the EOS R5, EOS R6 and coveted EOS-1D X Mark III – alongside the camera’s new 24.2 megapixel CMOS sensor, the EOS R6 Mark II supports renowned next generation Dual Pixel CMOS AF II pushing speed and reliability to new levels.

The EOS R6 Mark II can track subjects keeping them sharp as they move through a scene. Using improved deep-learning artificial intelligence, it recognises people, vehicles (which now includes aircraft and trains in addition to cars and motorbikes) and animals which has been updated to recognise horses and zebras as well as dogs, cats and birds. The type of subject to be detected can be chosen in the menu, or using the new Auto option depending on the range of scenarios the photographer is shooting in. With advance eye tracking, users can specify which eye (left or right) should be given focus priority, and when the eyes can’t be detected, the EOS R6 Mark II focuses on the face in shot instead. Even if a person turns away for a moment, their head continues to be tracked, and if the head isn’t visible the camera will go on to track the body.

The EOS R6 Mark II boasts the world’s most effective IS performance, with up to 8-stops[1] co-ordinated control image stabilisation[2]. Using the combined IS, optical and in-body – it can shoot long exposures, handheld with extreme clarity and sharpness. Photographers can also capture the ambience in very low light conditions, focusing in light levels as low as -6.5EV[3], and the ability to shoot up to ISO 102,400.

Next generation speed for the EOS R System

Setting new speed records, the EOS R6 Mark II is Canon’s fastest EOS to date[4]. It can shoot continuously at up to 40fps[5] – with 20fps and 5fps options with electronic shutter – and up to 12fps mechanically, capturing fleeting moments that may not be perceptible to the human eye. Compared to the EOS R6, the new sensor reduces rolling shutter, allowing the camera’s electronic shutter to be used to freeze fast-moving objects.

Additionally, the EOS R6 Mark II keeps pace with photographers’ needs, recording action before shooting starts, with 0.5 second pre-shooting in RAW Burst mode – a great advantage when shooting unpredictable subjects, from tennis players to toddlers. The RAW Burst mode shoots continuously at 30fps for up to 191 frames, recording every image in a single CR3 file; all with AF tracking. Individual images can be extracted from this roll using Canon’s Digital Photo Professional software, or in camera, and saved as individual JPEG, HEIF or RAW files.

Meeting demand with evolved video capabilities

The EOS R6 Mark II is the only camera in its class[6] that can use the full width of the sensor to shoot 4K 60p UHD, with simultaneous Dual Pixel CMOS AF II focusing. All 4k footage is created by oversampling the sensor’s 6K output, resulting in superb image quality. For independent filmmakers wanting even higher performance, the EOS R6 Mark II outputs 6K RAW via its HDMI output, which can be recorded on an Atomos Ninja V+ recorder in ProRes RAW. This provides more detail, as well as the ability to adjust parameters such as white balance in post-production.

Creators can activate movie pre-recording mode of 3 or 5 seconds – when on, video is continuously streamed through the camera in standby enabling the capture of action even before you press record. Ideal for unmissable moments, or unpredictable scenes.

The EOS R6 Mark II features an improved circuit design allowing longer recording times, over 40 minutes of oversampled 4K 60p recording or up to 6 hours at 4k 30p[7], – with the previous 29.59 maximum individual clip recording time removed – depending on ambient temperature, memory card space and battery life.

Enabling content creators and filmmakers to meet the increasing demand to produce both stunning still and moving images, the innovative EOS R6 Mark II can output incredible slow-motion footage with AF support using Full HD at up to 180fps. During movie shooting, False colour can be used as a guide to exposure adjustment, particularly useful in conditions that typically result in overexposed highlights. With HDR support via PQ, as well as Canon’s popular Canon Log 3, creators can capture breath-taking, true-to-life video and realise greater expressive possibilities – immersing the viewer in the content. When used with supported lenses[8], the EOS R6 Mark II also uses focus-breathing correction to compensate for the effects of focus breathing, providing a cinematic effect.

Intelligent connection for content delivery

With updated Bluetooth v.5 and Wi-Fi (5GHz), the EOS R6 Mark II can be easily connected to a smartphone and networks allowing high-speed file sharing and FTP/FTPS/SFTP transfer – making it easy to edit and share, even when on the move. The camera can also be remotely controlled using the Camera Connect and EOS Utility apps, tethered to a PC, Mac or smartphone via Wi-Fi or high-speed USB-C. For semi-professional photographers and content creators, content delivery is just as important as image and video capture – the EOS R6 Mark II supports automatic transfer of image files from the device to the image.canon cloud platform to easily share and print images.

The EOS R6 Mark II can be used as a webcam on PC and Mac computers running video-call apps such as Skype, Zoom and Teams, without having to install additional software. This plug-and-play capability is powered by industry-standard USB Video Class (UVC) and USB Audio Class (UAC) drivers that are built into Windows and MacOS operating systems. The camera provides improved image quality compared with standard computer webcams, perfect for making a great impression when on video-calls online.

An extension of the creators’ creativity

Allowing seamless navigation with trusted ergonomics, existing EOS and EOS R System series users will be comfortable handling the EOS R6 Mark II. Featuring a multi-function shoe with a next-generation interface, the EOS R6 Mark II enables a new series of Canon accessories to be used including the newly launched SPEEDLITE EL-5. These accessories can be used without the need for cables, and in some cases without batteries.

Its body offers the durability expected from Canon, with dust and weather sealing on all external doors and inputs. The high-resolution 3.69M dot EVF offers a crystal clear view when taking photos or video, as it refreshes at 120fps – alongside this, EOS R6 Mark II has inherited the Optical View Finder view assist feature from the EOS R3, providing a natural-looking display retaining detail in shadows and highlights, with good visibility in dark areas and gradation. The EOS R6 Mark II is also compatible with the same LP-E6NH batteries and BG-R10 battery grip as the EOS R6, but with the benefit of battery life being increased by approximately 50% when using the LCD screen.

Canon Camera Connect App

Alongside the EOS R6 Mark II, Canon is announcing an update to its Camera Connect App which delivers a fresh new look and feel, as well as enhanced connectivity and a simple user experience. The v.3 update makes the app a central portal, enabling users to easily access other Canon software and services, such as the Print app or image.canon cloud service. From the app, Canon users can connect their camera to a smartphone or tablet to act as a remote control, or fine tune images, download or share them while on the move and even download firmware updates for their camera[9].

Also launching today is the RF 135mm f/1.8L IS USM, a telephoto prime lens ideal for shooting portraits in low-light and the SPEEDLITE EL-5, a high-performance Speedlite for capturing weddings and events.

Availability and pricing

The EOS R6 Mark II will be supported by Canon Australia’s 5-year warranty when purchased from an authorised Canon Australia reseller[10]. Pricing will be set at dealers’ discretion, with an RRP of $4,499 (incl. GST) for the EOS R6 Mark II. For the body and lens kit, RF 24-105mm f/4L IS USM, the RRP is $6,399 (incl. GST). Available in Australia from late November 2022, more information on the EOS R6 Mark II can be found here: http://www.canon.com.au/cameras/eos-r6-mark-ii. 

 i YouGov survey January 2022, n=5,088.

ii YouGov survey January 2022, n=5,088

iii Applies to purchases made on or after 25th November 2019 in Australia from authorised distributors, dealers or retailers

 

[1] Yaw/Pitch direction, based on the CIPA standard, 8.0 stops with RF 24-105mm F4 L IS USM at a focal distance of 105mm.

[2] Correct as at 2nd November 2022.

[3] With an f/1.2 lens, centre AF point, and One-Shot AF, at 23°C / 73°F and ISO 100. This excludes RF lenses with a Defocus Smoothing (DS) coating.

[4] Correct as at 2nd November 2022.

[5] Continuous shooting speed may be slower depending on factors such as subject/shooting conditions, the camera setup or the lens used. Refer to the Advanced User Guide for details. For information on lenses that support the maximum continuous shooting speed with servo AF, refer to the Supplemental Information of EOS R6 Mark II on the website “cam.start.canon”. Depending on the nature of subject or shooting conditions, rolling shutter image distortion may occur.

[6] Correct as at 2nd November 2022.

 

[7] Battery and memory card allowing.

[8] Lenses currently supported, after firmware updates, are:

  • RF 14-35mm F4 L IS USM
  • RF 15-35mm F2.8 L IS USM
  • RF 24-70mm F2.8 L IS USM
  • RF 24-105mm F4 L IS USM
  • RF 70-200mm F2.8 L IS USM
  • RF 70-200mm F4 L IS USM
  • The RF24mm F1.8 Macro IS STM supports this feature from the beginning and does not require a firmware update.

 

[9] This feature is only possible with selected cameras. Please visit the Camera Connect App page for more information.

[10] Applies to purchases made on or after 25th November 2019 in Australia from authorised distributors, dealers or retailers.

BorisFX Continuum 2023 Announced

by davidhague178181403, posted in News: Software Companies (NLE), Press Releases General, Today

Available for either Adobe, AVID or OFX (DaVinci, Vegas etc) workflows, BorisFX has just announced the 2023 version of Continuum. Long a staple of effects people and editors alike, the latest version adds:

  • BCC+ Atmospheric Glow effect
  • 10 transitions: Wipes, rolls & swishes
  • BCC+ FilmGlow: Secondary glow option
  • Improved Title Studio & BCC+Light
  • 250+ curated presets designed by pros

And more!

All the info and the location to get a trial version can be found here.

New Plug to Record iPhone and Android Wireless Microphone: Hollyland’s Lark C1

by davidhague178181403, posted in Audio, Broadcast News, Press Releases General, Today

Hollyland Technology has announced the Lark C1, an ultra-compact, feature-packed wireless microphone system that can be plugged into mobile phones and offers a range of up to 650ft (200m). The Lark C1 lets you simply plug the receiver into the phone to record audio, and playback without unplugging. You can record audio without interruption, because the transmitter (TX) and receiver (RX) are usable while charging, and the receiver can be connected to a power source to charge your phone during operation. This product is available in an iOS version with Lightning connector on the receiver (with one or two transmitters) and an Android version with USB-C connector on the receiver (with two transmitters).

Android wireless microphone, iPhone wireless microphone

The transmitters can be clipped onto clothing like a wireless lavalier microphone, for professional vocal recording. The system’s 48 kHz/16 bit sound capture gives incredibly rich details from all directions, delivering Hi-Fi sound quality from 20 Hz right up to 20 kHz. In the iOS version, the MFi-certified Lightning interface ensures uncompromising sound quality and reliability. The advanced audio processing algorithms and Active Noise Cancellation let the Lark C1 deliver crystal-clear digital audio with background noise removed. The product is available in either black or white.

As well as mobile phones, the Lark C1’s Android version can add wireless microphone capability to some other products, such as the DJI Action 3 and Action 2, making it a perfect vlogging microphone.

Ultra-long recording duration, usable while charging

With two transmitter units in use, the Lark C1 Duo features an ultra-long duration of 32 hours from a fully-charged charging case, with each transmitter operating for 8 hours each time for a full day of uninterrupted audio recording. The entire system is usable while charging, including the smartphone.

Advanced in-app controls

Hollyland’s LarkSound app offers advanced controls and features to enhance your recording experience. The mic status is clear at a glance. You can view the transmitter battery level, adjust the noise cancellation level, or control volume and real-time playback through the phone and Bluetooth devices.

 

 

 

 

 

 

 

New: Sony Alpha 7R V. Now With Added Video.

by davidhague178181403, posted in News: Camera Hardware, Press Releases General, Today

Sony today announced the Alpha 7R V (model ILCE-7RM5) as the newest R series camera in its acclaimed line up of Alpha mirrorless interchangeable lens cameras. The Alpha 7R V combines Sony’s highest resolution image sensor with a new AI processing unit dedicated to AI-based image recognition – a first in any Alpha camera – as well as the powerful BIONZ XR™ image processing engine – a first in the “R” full-frame lineup. The combination of the high-resolution sensor and these processors enables new breakthroughs in subject recognition and capture for both still photography and video.

The new Alpha 7R V offers 61.0MP still images plus the most effective 8-step[1] image stabilisation system ever offered in any of Sony’s Alpha cameras, as well as refined 8K[2] movie output, a new 4-axis multi-angle monitor, high-speed communication functions, high-level operability and smooth workflow integration. Sony’s newest camera is ideal for professionals who need a first-class high-resolution imaging tool.

Image Credit: Mark Galer

 Improved AF Based on Newly Developed AI Processing Unit

The Alpha 7R V features Real-time Recognition AF, which is next-generation AF with advanced accuracy and broader subject recognition thanks to a new AI processing unit with deep learning. The state-of-the-art AI processing uses detailed information about human form and pose estimation to dramatically improve recognition accuracy beyond systems which only detect face and eye and make full use of its potential[3]. Real-time Recognition AF, using AI subject recognition, has been developed to include several subject types, including animals, vehicles and insects[4]. The Alpha 7R V also includes continuous shooting at up to 10 fps[5] with AF/AE tracking.

In addition to the advanced AI technology, the Alpha 7R V includes improvement to many beloved features from other cameras in Sony’s Alpha series that are now included for the first time in Sony’s 7R series:

  • Tenacious Real-time Tracking[6]
  • Faster and more precise wide-area, high-density AF system
  • Silent, vibration-free shooting[7] at up to 7 fps[8]
  • Continuously shoot up to 583 compressed RAW images at high speed[9]

The Alpha 7R V also includes focus features that support high resolution including full-time DMF[10] (direct manual focus), and focus bracketing[11], a highly requested capability that allows for focus stacked images.

Extraordinary Resolution Known to Sony’s Alpha 7R Series

The Alpha 7R V was designed to deliver overwhelming detail thanks to the latest BIONZ XR™ image processing engine and a 35mm full-frame back-illuminated Exmor R™ CMOS image sensor with approximately 61.0 million effective megapixels. The latest BIONZ XR image processing engine ensures that the resolution potential of the camera’s sensor is fully utilised to deliver the highest resolution at low sensitivity in the Alpha series thus far. This enables sensitivity settings from ISO 100 to ISO 32000[12] for both stills and movies and wide dynamic range with 15 stops[13] for stills.

The Alpha 7R V’s entire image stabilisation system has been updated with a high-precision image stabilisation unit, advanced gyro sensors, and optimised image stabilisation algorithms for stills and video. In addition to the 8-step compensation effect for stills, the new stabilisation algorithm provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor’s 61.0-megapixel resolution potential to bring out the finest subject details.

Sony’s newest camera also offers upgraded Pixel Shift Multi Shooting, which takes advantage of the precision in-body image stabilisation system control, capturing multiple pixel-shifted images that are later composited using a computer to achieve overwhelming resolution in a single image. Using the latest version of Imaging Edge Desktop™ Ver.3.5 computer application, small pixel-level movements, such as a shift in the subject’s position or leaves on a tree, are automatically detected and corrected so that perfect compositing can be achieved[14]. 16-image composites with approximately 240.8 million pixels (19,008 x 12,672 pixels)[15] can be produced from data that is equivalent to approximately 963.2 million pixels. The Alpha 7R V also supports precise and versatile external flash control for additional creative flexibility. Additionally, when in challenging lighting conditions the Alpha 7R V effectively suppresses flickering from artificial lights[16] for stills and video.

Additional features that offer flexibility for still photography includes:

  • Addition of Lossless RAW image compression and selectable RAW image sizes and quality
  • Greatly expanded focus and exposure bracketing
  • Creative Look settings for stills and videos in camera
  • High-quality HEIF images with high compression efficiency
  • Wide brightness range for large screen viewing.

Cinematic Video Capabilities

In addition to incredible still photography capabilities, the Alpha 7R V offers advanced video capabilities. Sony’s newest camera delivers 8K1 24/25p video, 4K video oversampled from 6.2K without binning[17], a high-efficiency MPEG-H HEVC/H.265 codec, intra recording, 10-bit 4:2:2 recording, and more for high image quality and flexible editing. It also includes evolved subject recognition for unprecedented real-time tracking reliability, breathing compensation and the ability to use camera metadata for post-processing and advanced in-body image stabilisation. In addition to in-body Active mode[18] image stabilisation for smoother on-the-go recording, the Alpha 7R V is compatible with select lenses[19] that include built-in image stabilisation for even more stable framing and smooth footage.

Operability and Reliability

The Alpha 7R V pairs outstanding reliability for professional needs in both stills and videos with a compact, lightweight form factor. The Alpha 7R V includes a new 4-axis multi-angle LCD monitor[20] that combines the utility of a conventional tilting monitor with side-opening vari-angle flexibility, and an electronic viewfinder with 9.44 million dots. The Alpha 7R V also includes two CFexpress Type A/SDXC compatible media slots and a brand-new menu system with touch control and a wide range of customisable functions.

The Alpha 7R V also allows professionals to optimise their workflow with updated connectivity for improved support. Data can be transferred at high speed over Wi-Fi (802.11ac) 2×2 MIMO[21] or a wired SuperSpeed USB 10Gbps connection via a USB-C® port. In addition to allowing efficient remote shooting as well as still and movie file transfers, new USB streaming features support UVC/UAC, allowing direct streaming from the camera even in 4K (QFHD) resolution with audio as well.

Based on feedback from professionals, the Alpha 7R V includes improved heat dissipation for extended recording times[22], an upgraded dust and moisture resistant design[23], a durable magnesium alloy chassis, and other refinements for maximum reliability in challenging working environments.

The Alpha 7R V is also compatible with the new PCK-LG3 Screen Protect Glass Sheet, which maintains touch sensitivity while protecting the LCD monitor against stains and fingerprints. 

Designed for Professionals with Sustainability in Mind

Measures have been taken to reduce the environmental footprint of this product at every stage of its life cycle: from product development through supply chain, production, and packaging. Sony aims to inspire through the most efficient use of energy and resources. Recyclable plastic including SORPLAS™[24] were used for this camera body partially. In addition, manufacturing takes place at a facility using renewable energy.

Sony is working towards the use of plastic free[25] packaging materials that provide ample protection against shock and impact. Plant-based non-woven fabrics are used for product bags[26]. All of these considerations help to minimise environmental impact.

Availability

The Alpha 7R V will be available in Australia from November 2022

SRP: $6,199.00

The PCK-LG3 Screen Protect Glass Sheet will be available in Australia from December 2022.  SRP: $59.00

[1] CIPA standards. Pitch/yaw shake only. FE 50mm F1.2 GM. Long exposure NR off.

[2] Slow & Quick Motion is not available when recording XAVC HS 8K movies. [APS-C/S35 Shooting] is fixed at [Off]. Angle of view is approx. 1.2x.

[3] Camera may not accurately recognise all specified subjects in all conditions. Subject types other than the type specified may be erroneously recognised in some cases.

[4] Camera may not accurately recognise all specified subjects in all conditions. Available subject settings are: Human, Animal/Bird, Animal, Bird, Insect, Car/Train, and Airplane. Subject types other than the type specified may be erroneously recognised in some cases.

[5] Up to 8 fps with AF/AE tracking when shooting with live view. Maximum continuous shooting speed will depend on camera settings.

[6] [Tracking] in the menu. Based on advanced artificial intelligence, including machine learning.

[7] Some image distortion may occur when shooting fast-moving subjects or when panning or otherwise moving the camera rapidly.

[8] Up to 7 fps in continuous “Hi+” mode. Maximum continuous shooting speed will depend on camera settings.

[9] Sony CEA-G160T CFexpress Type A memory card used. Continuous Hi+ mode. Actual number of images may vary according to shooting conditions.

[10] Not applicable to the E PZ 16-50mm F3.5-5.6 OSS and E 18-200mm F3.5-6.3 OSS LE lenses or any A-mount lens. Full-time DMF is not available when shooting continuously in AF-C or AF-A mode (not including Lo), or when using the SEL70200GM lens in AF-C mode.

[11] A-mount lenses not supported.

[12] Expandable to ISO 50-80 and 40000-102400 for stills.

[13] Sony test conditions. Still images

[14] As of the October 2022 product announcement. Applicable models: Alpha 1 and Alpha 7R V

[15] Image size after compositing is approx. 60.2 million (9 504×6 336) pixels for 4-image shots, and approx. 240.8 million pixels (19 008 x 12 672) for 16-image shots.

[16] Only 100 Hz and 120 Hz flicker is detected. Continuous shooting speed may decrease. Phase-detection AF coverage is reduced. Flicker-free shooting is not available during silent shooting, BULB exposure, or movie recording.

[17] When shooting Super 35mm at 30p or 24/25p.

[18] Slight image crop in Active Mode. Active mode not available when recording XAVC HS 8K or using a frame rate of at 120 (100) fps.

[19] See Sony’s support web page for information on compatible lenses: https://www.sony.net/dics/7rm5-s/  A software update may be required for some lenses. Compensation effectiveness may vary according to the lens used.

[20] Monitor movement may be limited when cables are connected to the camera’s connectors.

[21] Wi-Fi® communication is enabled on the 2.4 GHz and 5 GHz bands. 5 GHz communication may be restricted in some countries and regions.

[22] Sony internal tests with [Auto Power OFF Temp.] set to [High].

[23] Not guaranteed to be 100% dust and moisture proof.

[24] Depending on the time of production, SORPLAS™ may not be used for some parts

[25] Not including materials used in coatings and adhesives.

[26] Not including materials used in coatings and adhesives. Natural non-woven fabric may not be available during some production periods.