Blackmagic Design today announced DaVinci Resolve 17, a major new release with over 300 new features and improvements including HDR grading tools, redesigned primary color controls, next generation Fairlight audio engine including Fairlight audio core and support for 2,000 real time audio tracks plus dozens of other time saving tools for editors including a redesigned inspector, new bin sorting and metadata clip views!
DaVinci Resolve 17 public beta is available for download now from the Blackmagic Design website.
DaVinci Resolve 17 is a major new release with over 100 new features and 200 improvements. The color page features new HDR grading tools, redesigned primary controls, AI based magic mask and more. Fairlight updates mouse and keyboard edit selection tools so customers can work faster, along with Fairlight Audio Core and FlexBus, a next generation audio engine and busing architecture with support for 2,000 tracks. Editors get a metadata slate view with bin dividers, zoomed waveforms for audio trimming, smart reframing, a unified inspector and dozens of other time saving tools. In addition, compositions created in Fusion can now be used as an effect, title or transition on the edit and cut pages.
DaVinci Resolve 17 features incredible new creative tools for colorists. Power Window drawing has been improved, there are new split screen wipe options, an additional Sat vs Lum curve, improved scopes, support for 17 point 3D LUTs and more.
The HDR grading palette lets customers create new color wheels with custom roll off for specific tonal ranges, giving customers more creative control to make fine adjustments. The wheels include exposure and saturation controls for each zone. They’re color space aware so customers get perceptually uniform results.
The mesh based warping tool lets customers adjust two color parameters at once. Customers can adjust both hue and saturation or chroma and luma. Adjustments are made by dragging control points, with smooth falloff for clean, natural looking adjustments. It’s an entirely new way to transform color in their images.
Selecting and tracking people for targeted correction has never been easier. Magic mask uses the DaVinci Neural Engine to automatically create masks for an entire person or specific features such as face or arms. Customers get matte finesse tools, the ability to add and remove strokes and automatic tracking.
DaVinci Resolve color management adds features to simplify their workflow and improve image quality.
DaVinci wide gamut and DaVinci intermediate are timeline color space and gamma settings that provide a universal internal working color space. It’s larger than what cameras can capture, or BT.2020, ARRI wide gamut and even ACES AP1. Customers will never lose image data, no matter where it comes from.
DaVinci Resolve 17 is the biggest update in Fairlight history with new features, tools and core improvements that make it the world’s fastest and highest quality solution for audio post production.
Edit selection mode with new keyboard shortcuts unlocks functionality previously available on the Fairlight Audio Editor. These context sensitive tools make editing incredibly fast. If users are switching over to Fairlight, these intuitive and familiar tools will help customers get up and running quickly.
Fairlight Audio Core is a low latency, next generation audio engine that intelligently manages workload by using all CPU cores and threads, as well as the optional Fairlight PCIe Audio Accelerator card. Customers get up to 2,000 tracks, each with real time EQ, dynamics and 6 plug-ins, all on a single system.
FlexBus is a flexible bus architecture that uses up to 26 channel wide multi purpose buses instead of fixed buses. Customers can send tracks to buses, buses to tracks, and buses to buses in as many cascade layers deep as needed to create massive sessions. Route anything to anything without limitations.
The new transient analysis tool automatically detects individual words, beats, or sound effects. Transient markers are displayed as vertical lines in the waveform. Customers can navigate between them using the arrow keys. Transient markers make it easy to identify specific parts of a sound for editing.
Fairlight Audio Core and FlexBus enable large projects with thousands of tracks on a single system. Previously this required “chase” computers to be sync’d with a primary system. Plus DaVinci Resolve’s multi user collaboration lets multiple sound editors work on the entire project at the same time.
DaVinci Resolve 17 makes the cut page even smarter with great new features designed to help customers finish quick turn around projects even faster.
Metadata slate view with bin dividers makes it easy to sort and find clips based on scene, shot, camera and more. When used with source tape, it’s the fastest way to jump in and out of scenes or groups of shots.
Customers can now see larger audio waveforms while trimming.
Now customers can edit in 16:9 HD or Ultra HD and quickly create square or vertical versions for posting to Instagram and other apps. The DaVinci Neural Engine automatically identifies faces and repositions them inside the new frame so customers don’t have to do it manually.
Finding the right effect, transition or title is faster and easier than ever. The elegant, new multi column view lets customers see more and scroll less. Descriptive icons also help customers quickly find what customers need. Plus, customers can hover scrub the mouse across any item to see a live preview in the viewer.
Live production projects from ATEM Mini Pro ISO can be opened as a video edit. The sync bin with multiview lets customers fine tune edits from the original live production or even replace shots. You can use the HD ISO recordings from ATEM or relink to Blackmagic RAW camera files for finishing in Ultra HD.
The edit page adds dozens of time saving new features that professional editors have asked for.
Now customers can create easily managed, independent proxy media that dramatically improves system performance and makes projects portable. Proxies can be as small as 1/16th resolution and saved as H.264, H.265, ProRes or DNxHR. They can even be generated internally or externally by third party tools.
It’s now easier to create synchronized multicam clips. Simply stack clips on the timeline and use the new “auto align” tool to sync based on timecode or waveform. Customers can also manually move clips into position to create a sync map. Timelines can be converted into a multicam clip or a compound clip.
New Resolve FX 3D, HSL and luma keyer plug-ins let customers pull keys directly in the timeline on both the edit and cut pages. In addition, alpha channels from Resolve FX and Open FX plug-ins are now supported, as are embedded alpha channels and external matte files giving customers even more compositing options.
The render in place command lets customers generate render files for any portion of the timeline. Once rendered, customers can move, edit and trim without having to re-render. Unlike cache files, render files are easy to manage and portable.
Source side adjustments let customers change a clip before editing it into the timeline. For example, customers can adjust RAW controls, add a LUT, remap audio tracks, change sizing, playback frame rate and more, all before editing a clip into the timeline.
Customers can now import and export individual timelines or bins, giving customers more ways to collaborate. Timeline and bin files are easy to share and small enough to email.
New support for native processing of interlaced timelines results in higher quality compositing and titling for interlaced deliverables. High quality DaVinci Neural Engine de-interlacing analyzes motion between fields to reconstruct progressive frames. Customers also get realtime 3:2 pulldown removal.
Compositions customers create on the Fusion page can now be saved as a template and used on the edit or cut page. New animation curve modifiers can be used to automatically retime animations when customers change their duration in an edit. Audio playback with waveform display makes it easier to create precisely timed animations, there are shared markers with the edit page and more. In addition, 27 GPU accelerated Resolve FX have been added to the Fusion page, including the noise reduction and sharpening tools from the color page. New node view bookmarks make it easy to navigate large comps, the toolbar can be customized with their favorite tools, and vertical layouts are supported in the node editor.
Node tree bookmarks let customers quickly navigate to any part of the node tree in a large composition. Customizable toolbars let customers quickly switch toolbars based on the current task. Vertical node tree layouts give customers more room to view the spline and keyframe editors when creating animations, and more.
Customers will find new and improved format support on the media page, new delivery options, and a unified inspector design on the media, cut, edit and Fairlight pages. DaVinci Resolve 17 also features consistent timeline navigation across all pages, better metadata support, new image scaling algorithms, the ability to share smart bins, smart filters and optimized media across all projects on a system, and even more GPU and CPU accelerated Resolve FX.
Now anyone can build their own post production studio. The free version of DaVinci Resolve now includes the revolutionary multi user collaboration tools previously available in DaVinci Resolve Studio. That means customers can have multiple users all working on the same project at the same time, for free.
Support for growing files in the media pool lets customers start editing while files are still being recorded. There’s decoding support for QuickTime PNG, uncompressed RGB 8-bit and YUV 10-bit AVI, and spanned Panasonic 8K SHV clips.
DaVinci Resolve 17 support for frame based metadata from Blackmagic RAW, ARRI, RED and Sony camera files, along with decoding and rendering per frame EXR metadata.
In addition to existing Python and LUA scripting, DaVinci Resolve 17 adds a new workflow integration API and a new encoding API. These APIs allow third party developers to create integrated asset and workflow management solutions for DaVinci Resolve, as well as encoder plug-ins for custom output options.
“This is a massive update and it has amazing new technology and features for colorists, audio engineers, editors and visual effects artists,” said Grant Petty, Blackmagic Design CEO. “While the new color science, HDR grading and improvements and Fairlight usability are the most noticeable features, what I am most proud of are the thousands of small improvements that customers will notice every day!”
DaVinci Resolve 17 Features
• Next generation HDR color correction with customizable wheels and tonal zones.
• Mesh and grid based color warper delivers an entirely new way to transform color.
• Magic mask automatic object isolation powered by the DaVinci Neural Engine.
• Improved color management with tone mapping and color space aware tools.
• Massive DaVinci wide gamut color space for higher quality image processing.
• High speed audio editing with new keyboard and mouse context sensitive tools.
• Fairlight Audio Core engine with auto load balancing and support for 2,000 tracks.
• Revolutionary FlexBus architecture for audio routing without limitations.
• Automatic transient detection for beats, words, and sound effects.
• Support for massive audio projects with thousands of tracks on a single system.
• Metadata based card view in media pool on cut page.
• Precision audio trimming on the cut page timeline and graphical trimmer.
• Smart reframe powered by the DaVinci Neural Engine on cut and edit pages.
• Live effect, title, and transition previews on cut and edit pages.
• Import and edit projects from ATEM Mini Pro ISO.
• Proxy media workflows up to 1/16th resolution in H.264, H.265, ProRes or DNxHR.
• Timeline based clip syncing to create multicam and compound clips.
• Alpha support for keying and compositing on cut and edit pages.
• Render in place command for effects heavy clips on cut and edit timelines.
• Make source side adjustments before editing clips into the timeline.
• Portable timeline and bin files for easy sharing.
• Native interlace processing and realtime 3:2 pulldown removal.
• Node tree bookmarks, customizable Fusion toolbar, and vertical node layouts.
• Support for growing files in media pool.
• Support for frame based metadata for Blackmagic RAW, ARRI, RED, Sony and EXR.
• Workflow integration API and third party encoder API.
Availability and Price
DaVinci Resolve 17 public beta is available now for download from the Blackmagic Design web site.
Blackmagic Design Announces New DaVinci Resolve Speed Editor
New editing keyboard works with the DaVinci Resolve cut page to create a new generation editing solution that’s dramatically faster!
Fremont, CA, USA – Monday, 9 November 2020 – Blackmagic Design today announced DaVinci Resolve Speed Editor, a new keyboard for DaVinci Resolve’s cut page that allows a new and dramatically faster editing solution that’s a combination of integrated hardware and software. This means the editor can work much faster because, unlike a mouse, the DaVinci Resolve Speed Editor has a control for each edit function and can perform multiple tasks at the same time. In addition, for a limited time, every customer who purchases DaVinci Resolve Studio from a Blackmagic Design reseller will get the DaVinci Resolve Speed Editor included free of charge!
DaVinci Resolve Speed Editor is available immediately from Blackmagic Design resellers worldwide for AU$469.
Traditional edit software uses thousands of clips to organize their media, so customers need to constantly click and drag clips to edit. That’s too slow for work such as TVCs, news, promos and training videos. However old tape based linear editing had the advantage of all media being played from a videotape, so customers could simply fast forward and rewind to see all their shots. Now the cut page has a modern version of the videotape and it’s called the “source tape”. Simply push the source button and use the search dial to scroll through all their media. Plus, the current clip is highlighted live in the bin. After the edit the viewer will stay in the source tape so customers can move to the next shot faster.
Entering in and out points is the most used function in editing, so the speed editor keyboard includes large in and out point buttons that customers can easily locate by feel. That’s perfect for two handed editing where users are using their right hand for transport control and their left hand is placing in and out points and performing edits. Customers can simply scroll along with the search dial and place in and out points anywhere customers want. Once the in and out points are set, just reach their fingers up to the edit function buttons to perform the edit. The in and out points can also be used to focus the source tape. Then customers can change the source tape back to the whole bin by pressing the escape key.
Editing with a keyboard is different to editing with a mouse, so the cut page editing functions have been upgraded to take advantage of the speed of a keyboard. The edit functions are intelligent and use the “smart indicator” in the timeline to work out where to insert, so most of the time customers don’t need to place in or out points in the timeline to do an edit. They are located just above the in and out keys, so are easy to locate by feel. Plus each time customers edit, the cut page won’t waste time switching over to the timeline, allowing customers to stay in the source tape and visually browse, placing clips continuously. That’s much faster as customers can just keep throwing clips into the timeline.
With a large high quality search dial built into the panel, customers get an extremely accurate way to trim shots. With the search dial being such a physically large control, it completely transforms how it feels to trim shots. Plus it’s much faster too. The trim buttons will change the search dial into a trim control and customers simply hold the trim buttons and rotate the search dial. This means customers can select various trim modes with their left hand while adjusting the trim with their right. It’s extremely fast and the smart indicator in the timeline will let customers know which edit users are trimming. Just move along the timeline and live trim edits. It’s a whole new way to work.
Editing software can be slow at adding transitions to edits because customers have to click and drag effects down into the timeline. However, with the DaVinci Resolve Speed Editor, customers can just press a button to switch them on and off. It’s really fast as customers can scroll down the timeline adding or removing effects. The smart indicator in the timeline will let customers know which edit point will be affected, and customers can move the timeline to move the edit point in focus. The cut key will remove any effect on an edit point in the timeline. Pressing dissolve adds a dissolve to the edit point using the default duration. Pressing the smooth cut button adds a smooth cut so customers can eliminate jump cuts.
The DaVinci Resolve Speed Editor eliminates the large QWERTY keyboard for a smaller more portable design, so the function button area includes only the controls customers need for editing. Some of the enhanced function keys on the DaVinci Resolve Speed Editor are not even available on the full sized editor keyboard. Plus, some keys have an alternative function where customers can press and hold or double press to get a second function using the same key. That means customers need less keys for a more portable design, but it still retains a lot of editing power. The keys are in a separate group so customers can find the key customers need by feel and operate faster than a regular keyboard.
The escape key is positioned to the top left so it’s easy to locate, as it’s the most common key for reversing some functions. A good example is the sync bin and if customers select a camera, customers can go back to the multiview by selecting this escape key. Plus, if customers double press it, it works as undo.
The sync bin is a new style of multi-cam and it allows customers to find shots that are sync’d to the current shot in the timeline. That lets customers find cutaways using a familiar multiview interface. Then use the camera keys to select an alternative shot, and source overwrite to edit it into the timeline.
The audio level key lets customers quickly set audio levels of clips by holding the key and adjusting the level using the search dial. That’s a fast way to set audio levels while editing. Double pressing the key lets customers add a marker, and double pressing and holding allows customers to set the marker color.
The full screen button is highlighted red so customers can find it quickly and switch to a full screen view of their viewer. That’s great for presenting their edit to clients. Plus if customers double press the full view button, it will go into full screen view and play from just before their most recent edit.
The transition button is similar to the cut and smooth cut buttons, however it will add a custom transition of their choice from a pallet of all the available DaVinci Resolve transitions. If customers press and hold the transition button users will see the pallet appear allowing selection of the one customers want.
The split button will instantly cut the clip in the timeline at the current playback point. If users are positioned on a split in a clip, then pressing the split button will remove the split. If customers press and hold, customers can use the search dial to move the current clip up and down the timeline.
Pressing snap will turn on snapping in the timeline. Snapping on the speed editor is different, as it’s not magnetic so it’s more subtle. It works by momentarily pausing jog at the edit points so it’s nicer to use. Or if customers press and hold, the search dial will let customers adjust the viewer size.
Ripple delete removes the current clip at the playback point then ripples the timeline to fill the space left by the deleted clip. This eliminates any blank spaces in the timeline. Customers can use it with split to remove parts of shots customers don’t want. Plus, it will also reduce their timeline duration.
The camera number section lets customers select the cameras when using the cut page sync bin. Plus, if customers press a camera number while turning the search dial, the selected camera will be applied to the timeline in real time as customers jog forward. This feature is called live override and on the speed editor panel customers can do it momentarily by holding the camera button, or customers can latch it on using the live override button. When live override is latched on, the buttons light up and customers can select cameras just like a production switcher. Customers will see a multiview and customers can just cut from camera to camera. Plus, this section even has the video only and audio only buttons for greater editing control.
The DaVinci Resolve Speed Editor model includes built in Bluetooth so customers can use the keyboard without messy wires, and customers can even use it in conjunction with their regular computer keyboard. That’s perfect for using it with a laptop. Customers can also use the keyboard via USB if required and the USB connection will also charge the internal battery. With Bluetooth and a built in battery, the keyboard is extremely portable.
“We think this is an incredibly exciting product as it has such dramatic workflow ramifications,” said Grant Petty, Blackmagic Design CEO. “Until now, editing software has been designed to be used with a mouse, however that’s slow as each edit function often takes multiple mouse clicks to do each task. Now with the DaVinci Resolve cut page and the DaVinci Resolve Speed Editor being co-designed, it means they work together for a whole new generation of editing workflow. It’s so fast and a lot of fun to use!”
DaVinci Resolve Speed Editor Features
• Source tape allows faster clip searching.
• Large trim in and out buttons.
• New keyboard modes for intelligent editing.
• Buttons to allow search dial to live trim.
• Buttons to change transition type.
• Integrated search dial control.
• Keypad for direct timecode entry.
Availability and Price
DaVinci Resolve Speed Editor is available now for AU$469, from Blackmagic Design resellers worldwide.