Review: Kyno Asset Management

In our quest to find the perfect – or as near to perfect as possible – clip manager to catalogue and tag the thousands of video files, stills and images we have created, shot or otherwise obtained over the years, our journey took us to Kyno, available for both the Mac and the PC.

At AUD$229 to buy with one year of updates and licences for three computers (for one person), it is not a deal breaker for the individual by a long shot; a “premium” version for the corporate types is still only AUD$509 (again for one year). Updates after this period are at your discretion and are AUD$115 and AUD$245 respectively per annum.

The Interface

The main interface is like the usual File Manager / Finder style work area with a Devices section showing all of your internal hard drives, external USB drives, plugged in SD cards and the like plus an extra section for Jobs.

The Workspace area is automatically set up – under Windows it is your username but can be any folder you also wish to drag in to that section.

Jobs contains all the current background tasks Kyno is running.

When you select a folder in devices, you can display files by either thumbnail, list or detail. Thumbnail is the default, List displays all the details of all files in a list mode and Detail shows a single file inside Kyno’s own video player. A filter button lets you select exactly which files are to be displayed.

A nice touch is to filter by file modification, useful for those who don’t remove files from SD cards or you are not one of those who clean up files very often.

A second button lets you sort by different criteria, and we found that the list view is the best way to use this option, letting you see the sorting options much more clearly, such as clip length for example.

Detail mode is the most – well – detailed, with not only the ability to play clips, but display all of the metadata attached to a file. You can also transcode or export a file from Detail view and perform various other options from a drop-down menu.

On the right-hand side of the clip player, there is a separate tabbed section. The Metadata tab lets you add your own metadata such as a description, date shot, take number, angle, camera used and any tags you’d like to apply to the clip. The Content tab shows a visual multiple thumbnail overview of the clip’s content. The SubClip tab shows any subclips you have created from this clip and the Tracks tab contains metadata from the tracks in the file.  Finally, the Histogram tab shows the clip’s Histogram in real time as the clip is played.

Note that subclips are only shown AFTER they are defined in Kyno, not ones you have created in your NLE. Bummer but there you go. (But I understand the limitation subclips in NLEs offer making this option almost impossible)

One nice touch is that when an SD card is inserted, it is automatically detected and when opened, is in a “drill down” mode meaning that all files on the card are displayed, not just the ones in the root directory. For those unfamiliar with folder hierarchies on SD cards, this saves a whole lot of clicking around to find the files you are after.

The “drill down” mode can actually be added to any device or folder listed in Devices if you wish, which is a major bonus.

Files can be renamed either individually or in a batch mode using presets, and the destination of renamed files changed to a folder you designate. This alone I reckon is worth the price of Kyno!

The Player

The clip player in Kyno is pretty straightforward with a few extra features. In and out points can be set, and you can enable looping between these when playing back in the player. You can also zoom into a clip using the mouse or trackpad to check the quality of your footage.

If shooting slo–mo footage, the player can be set to play back the footage at your final project settings. Eg if you have shot footage at 120p, you can play it back at 24fps to see exactly how it will look.

You also have a zebra and wide screen filter available to check footage. Markers can be set with titles and descriptive text and then used as navigated points, mark issues, still points to export and much more.

Transcoding

Transcoding (converting) couldn’t be easier. Simply select a file or files, right click and choose convert form the drop down menu and select a preset. Presets are listed in different categories making it nice and easy to choose the one you want. Transcoding works in the background.

Once you have chosen to transcode a file or files, these will then appear in the jobs section of the workspace. If you have set in and out points in a clip, these will be honoured during the transcoding process and the file trimmed accordingly.

I found this useful for GoPro recordings especially, where there is a lot of “head and tail” footage you don’t want.

Output folders and filenames sent for transcoding can all be individually specified.

Other Functionality

Just the basics alone mean Kyno is super powerful, but there is other stuff too. You can create export lists of files with timecodes, marker points and subclip info included directly from Kyno into Excel format so that another editor can quickly go through the clip to quickly find the points referenced, and there is a client reporting section built right in for example.

A BIG feature in my book is the ability to select a clip, whether it be image or video, complete with any meta tags, and send it straight to either Photoshop for editing or into the media pool of Blackmagic DaVinci Resolve. You can also play back clips in Kyno that have been encoded with Blackmagic RAW.

This feature alone is a damn fine reason to switch to DaVinci Resolve or of course, Adobe Creative Cloud if your prefer that workflow style.

 If you are an AVID Media Composer user with Kyno 1.8 Premium Edition, Avid Media Composer workflows are supported through ALE export as well as copy and paste for markers between Kyno and Media Composer.

Conclusion

As always, we recommend that you download and have a play with the trial version of Kyno and see how it fits in with your workflow.

For the social media / videoblog folk, I suspect the freebie MYNC is more than is necessary, but if you need a bit more – or a lot more – grunt that this offers, Kyno is a well-constructed, easy to learn and use and extremely powerful piece of software for clip management with a very affordable price tag.

You can get the trial version at www.lesspain.software.com.

 

 

The ULTIMATE system config? (Yes it’s Resolve based with secret sauce added).

I have fond memories of the first time I discovered I could get Microsoft Word and Excel “talking” to each other. For instance, if I created a chart in Excel from a data set – my staff’s sales figures for the week at that time was a good example – then pasted it into a Word document, if the numbers updated, so did the chart in both Excel AND Word.

Thus was the magic of DDE or Dynamic Data Exchange. And from little things, big things grow, to quote Paul Kelly.

This same magic, albeit far more sophisticated these days, is also used to update calendars, phone apps use it, and hell, the entire Internet-cum-Google universe relies on it just about.

So what does this have to do with video and film making?

Well it’s a sidewise lean into describing what I consider to the very best setup available today in terms of the perfect editing system, which I have been trying to put together for years and years.

You see, over the last few months I have been getting more and more into the Blackmagic Design (BMD) ecosphere. Sure, I still use Vegas for quick and dirty stuff as I know it well after 20 odd years.

But for the projects I am now looking at doing, I have the feeling that the BMD way of approaching things, along with some ancillary products, is a better long-term bet.

At the heart of it of course is the Da Vinci Resolve NLE, now at Version 17 Beta 9, and as stable as anything I have seen (so far). As well as the revolutionary Cut page, in the free version you also get a cut-down of Fusion, BMDs 3D / Motion Graphics editor and of course the basic Fairlight audio system and arguably the best program for colour correcting there is.

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If you spend the extra money to get the full version, you also get the BMD Speed Editor hardware controller which I am finding almost indispensable now and the application itself opens up a lot more options to you. At about $550 it is still a bargain..

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Yes, the Speed Editor is skewed mainly to being used in the Cut page section of Resolve, but nonetheless it has certainly speeded up my workflow dramatically.

But I have also added the Loupedeck CT controller.

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And this is further enhancing the system along with the Da Vinci customised profile pack (complete with icons) from Sideshowfx.

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This combination of software and hardware is, to me, brilliant in its own right and while I do have other plugins in the mix too from BorisFX, Red Giant and the like, rounding it all out is the asset logging system from Kyno, and this is where the magic comes in.

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Once you have installed Kyno and pointed it to the directories / folders containing all of your video, stills and audio, you can use the system to search for clips that you may want in your current Da Vinci session. Once found, with a mouse click, they can be immediately loaded into your Da Vinci project.

Various options regarding metadata and folders / bins are also available.

To aid in the search, you can also set folders in Kyno to be “drilled down” automatically when searching for clips.

This in my workflow is the Holy Grail; to be able to search through and find relevant clips and basically throw them into specific bins in a project on-the-fly is as good as it gets.

Try the free version of Kyno and see what you think.

 

Kyno 1.8 now supports DaVinci Resolve AND Blackmagic RAW!

If you were ever thinking of switching from your current NLE to Blackmagic Design DaVinci Resolve (which is free), but needed one more reason to do so, it has just arrived in a somewhat unlikely form.

For quite a while now we have been spruiking the benefits of the media asset management system Kyno, and last night we received news that the new version 1.8 has landed, and joy of joys, it now supports DaVinci Resolve integration along with Blackmagic RAW.

Robert Kruger, one of the partners in Kyno says that this was borne by the twin factors of Resolve being the “rising star” among NLEs and the enormous success of the Blackmagic Design Cinema Camera.

So what does this mean in the real world? Firstly, you can send your prepared clips with metadata (tags, ratings, descriptions, markers, subclips) to Resolve in a two-click operation. Kyno’s subclip metadata allows you to assemble rough cuts from your footage in no time.

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Second, you can now play back BRAW footage natively in Kyno, either in full or reduced resolution, if your computer isn’t fast enough, transcode or subclip footage to ProRes and other formats and use all logging and NLE integration tools with BRAW in Kyno’s Standard Edition. You’ll be able to offload, manage, preview and transcode your BRAW footage.

Kyno 1.8 brings other advantages too including workflow improvements in transcoding and met data transfer, performance improvements for thumbnails and batch analysis, automatic application of sidecar-LUTs, improved drag & drop, a new MD5 verification option, FCP XML workflow and Excel export improvements as well as some fixes.

Oh and if you are an AVID Media Composer user with Kyno 1.8 Premium Edition, Avid Media Composer workflows are supported though ALE export as well as copy and paste for markers between Kyno and Media Composer.

To help coming up to speed with Kyno, there are also some new intro videos covering an introduction to the most important features as well as a run-down of advanced features and more.

You can get more info and a free trial from here or buy Kyno for AUD$229 for the “standard” version or AUD$509 for “premium”.

 

 

 

Tutorial: Video Editing Basics. The Hardware (and Other Stuff) You Need.

Yesterday I wrote a piece on the Basics of video editing and what you need to know in order to edit that footage of the round Australia caravan trip, the grand child’s first steps or footy match, the family wedding or other get together or simply create a short video for your Instagram feed, Facebook page or YouTube / Vimeo / TikTok account.

In hindsight, whilst the article has seemed to fill a required purpose (judging by the number of readers), what probably should have prefaced it was a story on what equipment is needed in order to be able to actually do that editing successfully and painlessly.

Video editing is probably the most hardware specification intensive task there is and having an under horse-powered computer is very frustrating.

There are other tools too – hardware and software – to make life easier.

So here is a list of the basics I recommend and some options too.

Computer Hardware

I could bore you silly with explanations of fast RAM, specific video cards with super-duper GPUs on them and other nerdy esoteric stuff, but I won’t. Suffice to say that in this day and age, as long as you have the following specifications no matter it be a desktop or laptop or Mac or Windows based, you should be fine AS A MINIMUM.

  • 16GB RAM – the more the merrier.
  • 500 GB hard disk (preferably what is known as an SSD or solid-state disk).
  • Minimum 2 USB ports – one for a mouse as using touch pads for video is p-a-i-n-f-u-l!
  • Screen with resolution of MINIMUM 1920 x 1080 pixels
  • Intel i7 or better processor
  • SD card slot (not just a micro-SD card slot as comes with some Microsoft Surfaces or ASUS laptops)

That’ll get you going

Other hardware (optional)

  • sandisk extreme pro ssdA FAST external hard drive such as the SanDisk Extreme Pro SSD I mention yesterday is a good an on and video files stored on this can be edited directly without having to copy them to your main computer hard drive
  • Contour_SPROV2_ShuttlePRO_v2_1535723463000_298670A Contour ShuttlePro 2 is a highly recommended bit of kit for precise editing. See a full review here.
  • A DECENT mouse such as a Logitech MX Master 3. Your wrists will thank me down the track (See why here).
  • LKB-VEGAS-APBH-USA DECENT keyboard. I use a Logitech gaming unit as the keys are orange backlit, but I also recommend those dedicated ones designed with coloured keycaps for specific video editing programs such as Vegas Pro, Adobe Premiere or Grass Valley EDIUS for example. If you are flush with a few dollars and use the very good (and free) Da Vinci Resolve editing software, then the Blackmagic Design DaVinci keyboard is a ripper, albeit expensive.
  • Sennheiser-HD-600S-Open-Back-Headphone-1024x800A really, really good set of headphones, especially if you create music videos. You want a set that doesn’t “colour” your audio with extra bass or other frequencies and our resident audio expert here at Australian Videocamera recommends the Sennheiser range for just that reason. The best of the best is the HD660S headphone and there is a full review here.

Ancillary Software

Most of the better video editing packages (also known as NLEs) have a feast of inbuilt features, but as your interest in editing  and film making grows, there are add on packages I can highly recommend as superb adjuncts to make life easier, editing faster and give more flexibility.

  1. Kyno

Kyno is a superb automatic cataloguing system for all your clips, stills and other media used in making videos – including audio. Check our review and  get a trial version (you will NEVER go back!)

  1. Techsmith SNAGIT and Camtasia.

For getting screen grabs and quick and dirty image manipulation (SNAGIT) or for more complex grabbing of screen animations (Camtasia) you cannot go past these two. If you make tutorials, they are invaluable. Get trial versions here.

  1. ProDAD ProDrenalin

This program is a boon for those that use so-called “action cams” as they have a number of, shall we call, quirks inherent in their design that ProDrenalin (and its bigger brother Mercalli) assist in rectifying including “curved horizon” and the horrible distortion effect seen mostly notably on clips of aircraft propellers. But ProDrenalin is also useful for smartphone and camera / camcorder shooters as well as action cam users to remove any camera shake.

  1. Bluff Titler

If you have a hankering for fancy titles and text overlays, have a look at Bluff Titler. Not as sophisticated some may say as NewBlue Titler Pro, but not as expensive either while still being a very classy package!

Conclusion

There are many other add-on bits of hardware, plugins for NLEs and 3rd party applications in the wonderful world of video making and I have only covered a tiny fraction of what is available. These are the ones I think everyone should have as a minimum, but we regularly cover all aspects of hardware and software in Australian Videocamera.

To guarantee your free copy each month, either reply to the pop-up offer you see on this page or fill in the form at https://filmvideoandvirtualreality.wordpress.com/win-a-12-month-licence-for-borisfx-continuum-complete/ where you will also go into the draw to win a 12 month licence for BorisFX Continuum Complete!

You can also get the latest version as a download PDF by clicking here.

 

 

 

Update: New Version of Kyno to 1.71

Back in February, I reviewed a package called “Kyno”, some media management software available for both Mac and Windows.

In its simplest form, Kyno lets you catalogue all the media on your hard drive(s) – video, audio, images etc – and allow you to rapidly search for them based on filter criteria such as subject (according to meta data you add), date, camera type, codec, frame rate and all the other stuff modern cameras apply to files these days.

It also lets you create subclips by adding and storing in and out points, transcodes – oh just go and see the review to get the full picture. It’ll be quicker.

Anyway, the makers of Kyno have just released a major update called version 1.71, and this adds a whole swag of new and very useful goodies.

Which is the most important depends on your own needs, but I’d suggest right up there is support for ProRes export on Windows bringing the power of ProRes to workflows using Kyno as a logging, preselection and conversion tool. All flavours of ProRes on macOS and Windows 7 or higher are supported and this enables users of Kyno to prepare, convert and sub-clip material to deliver it to later stages of ProRes-based workflows on all of these platforms.

Metadata handling has been beefed up a notch, and the developers say they have a put a major focus on this aspect. For example, Adobe Premiere Pro users now can send all metadata, including XMP-based fields, to their NLE of choice. Tags, ratings and other fields can now be automatically updated in XMP of the respective files when sending to Premiere.

You can also import XML exported from Final Cut Pro or Premiere Pro into Kyno and choose what to merge into Kyno’s metadata set. 

Using a new “keep folder” option in Kyno’s transcoder, you can export a proxy version of an entire folder structure for your client, director or assistant editor in just a few clicks.  

For those into 4K and HEVC codecs, Kyno 1.7 introduces hardware-accelerated playback of HEVC for Mac and Windows and HEVC encoding for Mac and video collaboration with Frame.io has been “supercharged” with integration in the Premium version letting you submit footage with metadata with automated client-side transcoding and subclipping in a workflow.

Improvements have also been made to Avid Op-Atom support.

One of the best bits of Kynoi to my mind is the option to “drill down” through folder hierarchies to find specific material. Now, by combine that with the new folder name filter and you can for example, find all files on your production drive that reside in a folder called “dailies” in just a few clicks, plus support for boolean expressions gives users a simple, yet immensely powerful new tool to query by text-based metadata. The date display in Kyno’s browse view has also been improved.

For a detailed list of all the new features of Kyno 1.7, plus improvements and bug fixes, the company has published some release notes.

I spent years trying to find some method of cataloguing all my stored video  going back to around 1996 – stuff digitized from tape, DVD based cameras, CF cards, SD cards, created in Photoshop, titles I had made, audio clips, sound effects – you name; probably like you I have thousands of files on multiple drives across my network.

Kyno, has quite literally, saved me hours. Dozens and dozens of ‘em.

The base version of Kyno at AUD$209 is a bargain and for that you get 1 year of updates, and activation on 3 different computers. Add another AUD$250 and you also get extended format support, advanced settings and a highly efficient delivery and contribution workflow.

A table detailing the comparison between the two versions is at https://lesspain.software/kyno/pages/product-comparison/

Review: Kyno Media Management Software

In our quest to find the perfect – or as near to perfect as possible – clip manager to catalogue and tag the thousands of video files, stills and images we have created, shot or otherwise obtained over the years, our journey took us to Kyno, available for both the Mac and the PC.

At AUD$209 to buy with one year of updates and licences for three computers (for one person), it is not a deal breaker for the individual by a long shot; a “premium” version for the corporate types is still only AUD$459 (again for one year). Updates after this period are at your discretion and are AUD$104 and AUD$219 respectively per annum.

The Interface

The main interface is like MYNC we looked at here, with the usual File Manager / Finder style work area with a Devices section showing all of your internal hard drives, external USB drives, plugged in SD cards and the like plus an extra section for Jobs.

The Workspace area is automatically set up – under Windows it is your username but can be any folder you also wish to drag in to that section.

Jobs contains all the current background tasks Kyno is running.

When you select a folder in devices, you can display files by either thumbnail, list or detail. Thumbnail is the default, List displays all the details of all files in a list mode and Detail shows a single file inside Kyno’s own video player. A filter button lets you select exactly which files are to be displayed.

A nice touch is to filter by file modification, useful for those who don’t remove files from SD cards or you are not one of those who clean up files very often.

A second button lets you sort by different criteria, and we found that the list view is the best way to use this option, letting you see the sorting options much more clearly, such as clip length for example.

Detail mode is the most – well – detailed, with not only the ability to play clips, but display all of the metadata attached to a file. You can also transcode or export a file from Detail view and perform various other options from a drop-down menu.

On the right-hand side of the clip player, there is a separate tabbed section. The Metadata tab lets you add your own metadata such as a description, date shot, take number, angle, camera used and any tags you’d like to apply to the clip. The Content tab shows a visual multiple thumbnail overview of the clip’s content. The SubClip tab shows any subclips you have created from this clip and the Tracks tab contains metadata from the tracks in the file.  In a future update, there will be a Histogram function showing the clip’s Histogram in real time as the clip is played.

Note that subclips are only shown AFTER they are defined in Kyno, not ones you have created in your NLE. Bummer but there you go. (But I understand the limitation subclips in NLEs offer making this option almost impossible)

One nice touch is that when an SD card is inserted, it is automatically detected and when opened, is in a “drill down” mode meaning that all files on the card are displayed, not just the ones in the root directory. For those unfamiliar with folder hierarchies on SD cards, this saves a whole lot of clicking around to find the files you are after.

The “drill down” mode can actually be added to any device or folder listed in Devices if you wish, which is a major bonus.

Files can be renamed either individually or in a batch mode using presets, and the destination of renamed files changed to a folder you designate. This alone I reckon is worth the price of Kyno!

The Player

The clip player in Kyno is pretty straightforward with a few extra features. In and out points can be set, and you can enable looping between these when playing back in the player. You can also zoom into a clip using the mouse or trackpad to check the quality of your footage.

If shooting slo–mo footage, the player can be set to play back the footage at your final project settings. Eg if you have shot footage at 120p, you can play it back at 24fps to see exactly how it will look.

You also have a zebra and wide screen filter available to check footage. Markers can be set with titles and descriptive text and then used as navigated points, mark issues, still points to export and much more.

Transcoding

Transcoding (converting) couldn’t be easier. Simply select a file or files, right click and choose convert form the drop down menu and select a preset. Presets are listed in different categories making it nice and easy to choose the one you want. Transcoding works in the background.

Once you have chosen to transcode a file or files, these will then appear in the jobs section of the workspace. If you have set in and out points in a clip, these will be honoured during the transcoding process and the file trimmed accordingly.

I found this useful for GoPro recordings especially, where there is a lot of “head and tail” footage you don’t want.

Output folders and filenames sent for transcoding can all be individually specified.

Other Functionality

Just the basics alone mean Kyno is super powerful, but there is other stuff too. You can create export lists of files with timecodes, marker points and subclip info included directly from Kyno into Excel format so that another editor can quickly go through the clip to quickly find the points referenced, and there is a client reporting section built right in for example.

Conclusion

As always, we recommend that you download and have a play with the trial version of Kyno and see how it fits in with your workflow.

For the social media / videoblog folk, I suspect the freebie MYNC is more than is necessary, but if you need a bit more – or a lot more – grunt that this offers, Kyno is a well-constructed, easy to learn and use and extremely powerful piece of software for clip management with a very affordable price tag. And MYNC is no longer free after June by the way.

You can get the trial version at www.lesspain.software